Sergio Aragones

Comics Legend Sergio Aragones left Spain to live in Mexico because of civil war.

Sergio was not as dumb as a doodle like his most famous creation.

The cartoonist began selling magazine cartoons in 1954 even as he attended architecture school, partic-ipated in pantomime, theater and clowning. In 1962, Sergio began selling his famous, tiny doodles for the margins of Mad Magazine and freelancing for DC Comics. The year 1982 marked the creation of his famous barbarian, Groo the Wanderer, followed by the Smokehouse Five and Buzz and Bell.

Groo the Wanderer first appeared in an early, alternative comic book, Destroyer Duck, as a parody of Conan the Barbarian. What distinguishes the two characters is that Groo is a parody, is even more stupid than Conan, and is unbeatable in hand-to-hand combat.

Sergio Aragones is easily the most famous doodler in the history of comics. His art is deceptive in its simplicity, and was attractive to many readers because they thought they could draw as well or better than the Spaniard. Groo, however, did much to set aside that myth. The simplicity of each character and of Aragones' backgrounds is belied by the incredible detail, a veritable doodle explosion, lavished on many panoramic scenes in his stories. He is also the only man alive who can make doodled women sexy.

Comic book appearances include: Mad Magazine (EC, '67/#76-on); El Diablo, Angel & the Ape, Plop, Bat Lash, The Best of DC (DC, 1967+); Destroyer Duck (Eclipse,'82-'84); Starslayer #5-? (Pacific,'82-'84); Groo the Wanderer (Pacific, '82-'84); Groo Special (Eclipse, '84), Marvel Graphic Novel #32 (Marvel, ?); Groo the Wanderer (Epic, '85--?); Groo Carnival (Epic, '91).

Aragones has work in more then twenty books, and has supplied animation for television's Laugh-in and TV Bloopers.

The work of Sergio Aragones is highly recommended.
MV

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