Alan Moore and Kevin O'Neill continue to pay tribute to Victorian adventure classics!
 
THE LEAGUE OF EXTRAORDINARY GENTLEMEN, VOL 2, like its stellar 
predecessor, is a graphic novel and is most assuredly not a comic book 
intended for children. Rather it is solid proof that mainstream comic 
books can be combined with exciting, imaginative adventure and 
story-telling, illustrated with serious, skilled artwork that merits 
close examination in each and every panel aimed at serious adult readers
 with eclectic tastes in classic literature. THE LEAGUE OF EXTRAORDINARY GENTLEMEN, VOL 2
 is at once a pastiche and a tribute to the skills of an extraordinary, 
lengthy and almost bewildering list of adventure, mystery and horror 
writers of the late eighteenth and early nineteenth centuries.
 
Moore's eclectic team of stalwart adventurers - Mina Harker of Bram Stoker's DRACULA fame; Edward Hyde, the brutal alter ego of Robert Louis Stevenson's gentler Dr Jekyll; H Merle Haggard's aging Allan Quartermain, the basis of modern Hollywood's INDIANA JONES; HG Wells' Hawley Griffin, better known as THE INVISIBLE MAN; and, finally, Captain Nemo, Jules Vernes' inscrutable captain of the fabulous Nautilus - defend the earth against an invasion from Mars.
Moore's borrowed cast of characters leaps off the page and into life 
under the skilled artistry of Kevin O'Neill. But alert readers will 
quickly discover that it doesn't end with this short list of main 
players and will delight in scavenging for even the most fleeting 
references to an almost endless list of literary luminaries - John 
Carter of Edgar Rice Burroughs' Mars series; his likely inspiration, 
Lieutenant Gullivar Jones; Alphonse Moreau; Rupert the Bear (honest!);  
Badger and Toad from THE WIND IN THE WILLOWS; Ishmael; Fu Manchu ... the
 list just goes on and on!
Be advised. Readers who consider themselves to be faint of heart should 
know that Kevin O'Neill has given himself full permission to display 
violence, fighting, bloodletting, death (and did I mention sex?) in the 
most graphic fashion. But this is far from a criticism, it is only a 
caution in the full understanding that some potential readers will 
simply not enjoy the degree to which O'Neill has visually let loose the 
free flow of blood, guts and unbridled sexuality. 
Thankfully, I am not 
on that list and can say that I enjoyed every single word and every 
single illustration immensely. I'm only sorry to realize that there are 
only two volumes left in the series which I will be purchasing just as 
soon as I finish this review.
			
			
				 
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